Nahuel Srnec
Nahuel Srnec is a film director, producer, cinematographer and university professor. DaVinci Resolve Certified Trainer, CSI (Colorist Society International) full member, ADF (Autores de Fotografía Cinematográfica Argentina) adherent member. Several of his works were selected and awarded at numerous festivals. He also was invited as a jury in festivals in the cinematography category. Nahuel has taught classes in the ENERC, Universidad de Buenos Aires and UADE in Argentina, The Core School in Spain, Columbia University in Paraguay, Black Magic Design in the USA, and others. He co-directed the feature film Machine for the Aura premiered in the Warsaw International Film Festival.
The Cultural Gap between the Stories of Indigenous Peoples and Minorities in Latin America
The proposal addresses the distance between the stories of indigenous peoples and minorities in Latin America with mass audiovisual production and its consequent distance from the cinema audience. We will discuss how the lack of representation of these groups in mainstream media leads to a cultural gap between them and the audience, ultimately resulting in the marginalization of their stories. Mass media production often appropriates indigenous and minority cultures, taking advantage of the exoticism and otherness of these groups. This creates a problematic narrative that reinforces stereotypes and fails to accurately represent the diversity and complexity of these communities. Moreover, it perpetuates a cultural hierarchy that values dominant groups over others. The discussion will also touch upon the role of independent filmmakers, who are challenging the mainstream media narrative and telling stories from the perspective of these marginalized communities. However, these films often struggle to find distribution and to reach a wider audience, further reinforcing the cultural divide. I would like to emphasize the importance of creating a more inclusive media industry that values diverse voices and experiences. The ultimate goal is to bridge the gap between these communities and the cinema audience, fostering a deeper understanding and appreciation of their stories.